Richie Nickel

The Soul of the City

Music has always been a special part of my life; it's the thing that “makes me tick.” I’ve played piano, violin, and guitar for most of my life in orchestras, small ensembles, and on my own. This is actually my second time in the city, and while I am too young to remember it, my parents love to tell stories of how I loved spending hours listening to the music on the street and riding in the streetcar. While my time in this city looks a little different with the addition of bookpacking and writing papers, when I am done with work for the day, it still closely resembles my visit about 17 years ago.



Our first full day in New Orleans began with a walking tour of the French Quarter, the original boundary of the city in 1718. As we dodged the sunny side of the sidewalk or banquette, as it’s called in NOLA, I started my Google Maps list of places to check out later. As overpowering as the heat was, it was no match for my excitement to be in this city of music.


One of my favorite areas we passed through was Jackson Square, honoring the complicated Founding Father, Andrew Jackson. Many of the statues and plaques still portray a somewhat rosy view of him and his legacy, although some recent additions add additional context to the complicated history of this city.


This square, which used to be the ground of military parades, now welcomes a new type of congregation, hosting many street vendors and musicians. Everything from tarot readings and colorful artwork to solo musicians and brass jazz bands. Our group stopped to listen to a classic brass sextet playing traditional New Orleans jazz, a subset that originated from a combination of jazz chord progressions and upbeat ragtime rhythms. Naturally, I was last to leave and had to run to catch up to the rest of the group on the way to the New Orleans Pharmacy Museum.


This museum addresses the gross injustice that African Americans and Women faced in access to quality pharmaceuticals, barriers to a pharmaceutical education, and barriers to the jobs they deserved once they did receive an education. The museum used examples from around the world, but had a specific focus on the neighborhood it's in. It was an important reminder of the difficult racial past of the city.


After the museum, we were off for the day to explore the city and continue bookpacking. I started making my way deeper into the French Quarter without a plan, simply following the music. While much of the live music is in 21+ establishments at night, they are typically open to everyone during the day.


I first found myself outside the Vampire Cafe, a themed restaurant near the center of the quarter. In a 10’ by 10’ tent outside the restaurant on the street, there was a three-piece band playing some Swamp Blues. This genre is a slower tempo blues with Cajun and Jazz influences, often known for soulful, ethereal vocals and a strong bassline. With just a keyboard, bass, drumset, and vocals, they captured my attention. I sat for the better part of an hour enjoying the music from the street. It’s hard to define what pulls me in so deep to this music, but something about the gritty vocals and the soaring piano runs kept me sat. There is nothing quite like the feeling of live music like this.


When the band finished their set, I finally moved on, still without a plan or deadline, just following my ears. I continued on my way, stopping in piano bars and cafes, just taking it in. This is by far my favorite part of the city. No timelines, just finding more music to enjoy.

Another one of my favorite stops was outside Cafe Beignet, a local chain. Right in the street, a musician was playing an impressive combination of guitar, harmonica, vocals, whistling, and drums and percussion with his feet. All of this, combined with a harmonizer pedal, brought an impressively full sound from just one person. I spent another hour listening to his music, commonly known as Neo-Soul Blues. This genre combines classical soul vocals and blues style with new instrumentations and forms. I thoroughly enjoyed this musician’s sound and innovative way of making classic blues music his own. Something about the way music relates to human emotions is special.

All in all, I spent about 5 hours exploring the French Quarter in heat I was not suited for as a Wisconsinite, but it was still one of my favorite days in the city.

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The musical exploration continued the next day, with a second line parade. These jubilant parades are put on every Sunday afternoon during the summer parade season. They began as a form of advertisement for neighborhood social aid organizations, and were also used in funerals as a celebration and honoring of life. They consist of a brass band parading down the street, with the club members following in colorful and coordinated outfits behind. Members of the community follow behind as the “second line.” These jubilant celebrations are at the heart of the city's cultural identity.

Yet again, we faced some oppressive heat, made worse by our preparation for a rainstorm that never came. As we got closer and closer, the sidewalks and medians started filling up with grills strapped to pickup trucks, pop-up tailgate bars, and lots of people. I didn’t know what to expect, but there was palpable excitement in the air.


As we neared the start of the parade, most of the group went into a local fried chicken restaurant on the corner, but I decided to try my luck with one of the barbecues in a truck. For just $6 I had one of the best smoked sausages I’ve ever tried.


Finally, the parade arrived! It was a sea of dancing people, lead by a brass jazz band, accompanied by all sorts of makeshift percussion. The energy was electric; all generations were dancing and having the time of their lives. Thousands of people marched with no differentiation between the road, yard, or sidewalk. Behind the jazz band, multiple open trailers played their own music, with people dancing and DJs spinning mostly hip-hop and rap.

We followed this parade until its end, about an hour and a half later, and I quickly made plans to return the next week. I’ve experienced parades before but it’s never been quite like this. The energy from the music is felt by everyone, making it a truly community-oriented event. The music I’ve heard in the French Quarter is the music of the city, but parades like these are where the residents themselves go to experience it.

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A Lazy Grand Isle

Hwy 1

The Grand Isle feels like a sort of haven, almost like you aren’t supposed to be there at all. There’s only one way in by land, although it hardly feels appropriate to call the soaring two-lane road “by land.” This pathway transported us dozens of miles, soaring over swamp, marsh, and open water to the small island. I’ve never seen roads like it. From tall stilts high above the Spanish moss-covered cypress trees, down to roads just inches above the water, we traveled from urban New Orleans through small towns to Grand Isle. Stepping out of the van for the first time since the airport, we get a small reprieve from Louisiana’s oppressive, humid heat from the ocean’s blustery wind whipping through the stilts of our home for the next five days. Once we finally lugged our luggage up the two flights of stairs to the house, it proved to be the perfect communal setup to get to know the people we would be spending the next four weeks with.


Our screened in porch overlooking the water

As our professor insisted, my first full day on the Isle began quite slowly. There was a lot to take in, from the three porch options to my favorite, the beach. Once again, we left the relaxing air conditioning and were hit with the intense wave of heat. While I've grown to expect this heat, I still can’t say I am used to it. Once we descended the two flights of stairs to the ground level, we were faced with a surprisingly treacherous embankment. Even though it was the same sight as before, being the only people on this beach was an impactful experience for me. The island is certainly developed, but it remains quiet during the off-season we found ourselves in.




My reading room

Unbeknownst to me when making my decision, I began reading Kate Chopin’s The Awakening just as I imagine protagonist Edna Pontellier would’ve spent much of her vacation, lazily lounging on the beach. While it wasn’t quite as lavish as Edna’s high-class retreat would’ve had it, I still had the same endless beauty of the ocean in front of me … and the same sand in my coffee from the ever-persistent wind.

I immediately recognized the laid-back nature of Grand Isle as it’s described in The Awakening in the world around me. Something about the island demands your undivided attention. It’s impossible to completely describe how the power and dependability of the ocean’s waves allow you to give in and just experience the world around you. This focus drew the nine of us closer at a pace that wouldn’t have been possible anywhere else. Escaping the bustle of college life in the city was truly a blessing right after finals.


She felt as if a mist had been lifted from her eyes, enabling her to look upon and comprehend the significance of life, that monster made up of beauty and brutality.

— Kate Chopin, The Awakening

The Grand Isle


The strong winds deterred most of the group from staying long, but I stayed and looked out over the same ocean as Edna, besides some plastic litter and oil rigs. As I lay on the beach just as she had, I was able to not just imagine, but understand her world. The slower-paced lifestyle is fundamental to the book's development and her decisions. This extra space to think and contemplate, paired with a location that seems so removed from the rest of the world, gives Edna the freedom to make these bold decisions. Pursuing Robert, ignoring her children, adopting a more French feeling of openness; all of these can be attributed to this unique destination we find ourselves in 155 years later.


Despite copious amounts of sunscreen, I felt a sunburn forming and was forced back inside. We were so clearly instructed to just relax, move slow, and enjoy where we are, but somehow that was more difficult for me than any papers or blog posts. Detaching and just living in the moment isn’t as easy as it sounds, especially right after finals. It was the ocean, the constant power of the waves, the unrelenting wind, and of course, the many hermit crabs that finally helped me relax. It was the music of New Orleans that brought me on this maymester, but the Grand Isle was an unanticipated bonus.


“The voice of the sea speaks to the soul.”
— Kate Chopin, The Awakening

Throughout the Grand Isle portion of our trip, I focused on taking in the natural world around us. I waded in the ocean every opportunity I got, I picked up countless shells looking for hermit crabs, and I even found a coconut. This was how I was able to just relax and exist. I love the beach, wherever it is, but I’ve never had an experience like this. Yes, there was a lot of seaweed to get through, and the waves weren’t big enough to bodysurf, but because of how we spent our time, this beach was more relaxing than any beach I’d been to before.


Pre-swim pictures

As beautiful as nature is on the island, it doesn’t tell the complete story. While the view looking out over the ocean certainly is, the island itself is not as I described. There are still the remains of houses likely destroyed by Hurricane Ida. The splintered wood and rusted metal tell the story of people that I don’t know. I can’t help but wonder about them and why they didn’t rebuild. These serve as a reminder of the fleeting nature of the island. Nothing can be permanent in such a vulnerable location, not even the land itself.

Remains of a pier destroyed by Hurricane Ida